I did not cry after Hitler!
Filmed in 2004 film "Der Untergang" - "Downfall", which is a biographical drama of war, this work is extremely interesting and also very controversial. The film is an adaptation of "Inside Hitler's Bunker" J. Festa and "From Hitler to the end of" T. Junge (Ms. Junge was a personal secretary of the Nazi dictator, accompanying him in the bunker, and observing the dramatic events of 1945). Subject "Fall" revolves around the last few days of Adolf Hitler and his close associates.
"Der Untergang" starts with a brief T. Junge true statement, which - from the perspective of several decades - recalls and assesses its work for the leaders of the Third Reich. Then we have the narrative reconstruction of memories of Hitler's secretaries: along with the Junge observe what is happening in the Fuhrer's bunker. A lot is happening, especially in psychikach main characters. The Nazis because they know that losing the war, but the approach to this issue in many ways. Part of the Nazis
evaluate your situation realistic - those Germans are aware that they could not defeat the Allies and that they can fight only to save their own lives. Others, such as Eva Braun and Adolf Hitler himself, soap his eyes, trying to believe that many failures are transient. There are also those who - despite all the signs in the heavens and the earth - uncritically believe in victory, dazzle and martial enthusiasm, sharply criticized defeatism.
Over time, when the Soviet expansion into the Reich progresses, the characters are becoming more pessimistic. Excel wills, they think about their families, mourn, summarize their own achievements, he reflects on the go is with honor and future world. While earlier urged Hitler to leave Berlin, it is now - when the Nazi leader decided to stay in the bunker - to decide whether to flee the capital, or perish together with the Fuhrer. Naturally, this raises a dilemma, because the characters have different hierarchies of values \u200b\u200band different ways to approach life and death.
Around the raging war, the people of Berlin last ounce of strength to defend its cities against the Russians, but no longer have any chance of success. Still someone is killed and injured, there are even suicide and murder at the request of victims. Constantly there are questions about honor, patriotism and loyalty against superiors, however, there is no clear answer on it. Berlin is destroyed, the soldiers lost, the commander gradually lose faith in the possibility of victory.
As I said, "Der Untergang" - "The Fall" is a controversial film. On the one hand, it is very moving and profound psychological viewpoint, the Nazis did not show as empty, stupid, bloodthirsty beasts, just as human beings endowed with feelings and profess certain values. On the other hand, it is a manipulation, because the game is on the emotions and encourages consumers to identify with the Nazis. A veritable brainwashing and stupidity of viewers, especially those who have not experienced the atrocities of World War II.
In the drama "Downfall," the Nazis were portrayed as being quite nice, deserving of compassion, loving and worried about their neighbors. In my opinion, such a picture of the Nazis is dangerous because it encourages customers to litowania over the executioners, and conceals their crimes and wickedness. "Der Untergang" tells the story in a biased and unfair, presents the facts solely from the point of supporters of Adolf Hitler, focusing on their advantages or pseudozaletach, hides the grim truth about the criminal activities of this political formation.
from the movie "Downfall" emerges a picture of the Fuhrer as an unhappy, lost, mentally ill individual who does not know what exactly it says and what demands from his subordinates. Hitler recalls TragiKomicznego harlequin, being grotesque - a funny and touching at the same time. It is fragile and weak like an old man, because the stress caused by failures and impending disaster are denied health and crushes it like a Hugo-Know-What-Burden.
Watching "Der Untergang, "the recipient has the impression that the director is trying to justify any price leader of the Third Reich, and his henchmen to do with the vulnerable people. The filmmaker shows crying happy Nazis, not the people who cried for them (at least in the Auschwitz-Birkeneu). Of course, this does not change the fact that "Downfall" - a film production - is a very enjoyable and interesting. Drama itself is good, it looks nice, but after seeing the thinking viewer has a sense of zlasowania brain.
In the present review is not about criticizing the well-shot film, only anticipating the impacts it may cause. Another such production, even a mention of the "Polish concentration camps" in the Western media, and global public opinion really believe in "noble" and "innocence" German Nazis and dump the blame on the Poles. I am very worried because it is a falsification of history, combined with a whitewash of crimes and defame innocent people. I do not want the public looked on Adolf Hitler and his associates through the prism of "Der Untergang". I just do not want and now.
Can I recommend "The Fall" to their readers? Well, yes and no. "Der Untergang", as the medium of film, is brilliant and remarkable. But as a carrier of historical content is dangerous, and - in the long run - worthless. I have no way to prohibit the readers see this production. I can only ask that interacted with the drama of caution and not to take the vision of the director as the "only right".
Natalia Julia Smith,
2 June 2011
Healthy Sleep Not Only Prolongs Life But Also Shortens The Working Day.
Thursday, June 2, 2011
Monday, May 30, 2011
Air Gun Hunting In Nh
provocative, dangerous, intensely confrontational
"Romper Stomper" is a sensational Australian drama, filmed in 1992 by Geoffrey Wright. The work, lasting over 90 minutes, tackles the problems of social and moral, and one of the actors playing in it is Russell Crowe. In addition to the popular Russell, in "Romper ..." are, among others Jacqueline McKenzie and Daniel Pollock (unfortunately, the latter did not live to see the film's release because he committed suicide.)
drama "Romper Stomper," about a group of Australian neo-Nazis, who, acting on a gang led by a man named Hando, terrorizes his hometown, especially żółtoskórych immigrants from Vietnam. Background events is poor, gray dirty, dark and devoid of prospects for Melbourne District: the eyes of the viewer can enjoy a picture of misery and despair. The main characters - the poor, frustrated and deprived of any deal - drown their worries in alcohol, and "entertaining" the time theft, rozbojami and attacks on the Vietnamese.
Hando belong to gangs of violent men, loose women, and even a kid. The society is aggressive, vulgar, malicious and niepogodzone with fate, and his racist ideology are treated in a very superficial (seeing it as an excuse for violence more than a specified philosophical system). In fact, only Hando - reader of Hitler's "Mein Kampf" - he believes in what he preaches. Neo-Nazis are living from day to day, do not have any plans for the future, tease each other and continually demonstrate their strength. Boast of having white skin, for no other reason to be proud.
The company gets a bad young Gabe - rich girl, but not at all happy. Young lady, constantly changing place of residence, and thus: school and peer environment. In addition, he suffers from epilepsy and is półsierotą - her mother died in a car accident, while her father molesting her. Lover girl is racist Hando, however, falls well liked another skinheadowi, Davey'emu.
Soon it becomes apparent that the heroine Hando combines sex, but with Davey'im - platonic feelings. Unfortunately, the misunderstandings between men and a series of sensational events at the end of the work will lead to tragedy. After a fierce battle with the Vietnamese, his father Gabe robbed, and police clash with Melbourne comes away with the grand finale of Australian neo-Nazis. But before that happens, many times Will Be Blood.
"Romper Stomper is a film of a pedagogical-sociological. It shows in fact a social problem that occurs in Australia, as well as in many other countries - poverty and despair, pushing young people to participate in violent subcultures and unlawful activity. Besides, draws attention to the drama (mental suffering) of people like Gabe: affluent, well-maintained, but lacking warmth of a family, and kazirodczo zakompleksionych molested by relatives.
Geoffrey Wright's film is like an appeal to the public, call to become interested in the emerging problem of slums pathology. "Romper Stomper" moves also the subject of racism, proves that hatred for the people of another color can lead to violence. And if the violence is also the revenge of the oppressed and intimidation of ethnic minorities. What's more, the tragedy is a warning for young people - warns against the aggressive participation in subcultures, shows the possible consequences of such a lifestyle, encouraged to seek help from professionals, not szemranym company. This is very beautiful, but naive. Why
naive? As a result, achieved by "Romper Stomper", is counterproductive. According to the Polish language Wikipedia, drama "Was intended to have anti-Nazi character, but eventually became a cult film in the environment of skinheads." That's true. I have the Internet skinheadowskich friends and I can assure you that they delight in "Romper Stomper". Wright watching a movie, do not feel shame and do not reflect on the change of views - on the contrary, even the "wind up". The popularity of the production of skins in the environment also provides the fact that her pieces are often used in amateur music videos dorabianych to racist songs.
O, director! Oh, unfortunate! You wanted to denounce the skinheads, and did them free publicity! Rather than weaken its enemy, it is substantially wzmocniłeś! After what was to spend so much money and put so much effort in creating a "Romper Stomper"? Indeed, more zaszkodziłbyś skinom, if you do not shot this drama! As you can see, even a good and ambitious film could be a disaster epic (epic fail) director.
If readers want to let him watch the work of Geoffrey Wright and see how much work went in vain. Let them watch the - the more that 'Romper ... " is very successful, has a fast-paced action and leads to serious reflection. Of course, this is hardly the overwhelming production of a masterpiece on his knees, but I must admit that it is deeper and more intelligent than most films of this type. That's probably because I was in Australia, which is far from Hollywood. And because - in accordance with the announcement in one of the forerunners - was supposed to be "the most provocative, dangerous, intensely confrontational films of the year" (implicitly: 1992).
Natalia Julia Smith,
29-30 May 2011,
PS I forgot to mention that in "Romper Stomper" Music plays a huge role. These are mostly songs from the mainstream of Oi! (Broadly defined subspecies of rock skinheadowskiego).
PS2. Trailers 's "Romper ..."
http://www.youtube.com/watch?v=_R24x8jfGps
http://www.youtube.com/watch?v=YXa-nAYdjrk
"Romper Stomper" is a sensational Australian drama, filmed in 1992 by Geoffrey Wright. The work, lasting over 90 minutes, tackles the problems of social and moral, and one of the actors playing in it is Russell Crowe. In addition to the popular Russell, in "Romper ..." are, among others Jacqueline McKenzie and Daniel Pollock (unfortunately, the latter did not live to see the film's release because he committed suicide.)
drama "Romper Stomper," about a group of Australian neo-Nazis, who, acting on a gang led by a man named Hando, terrorizes his hometown, especially żółtoskórych immigrants from Vietnam. Background events is poor, gray dirty, dark and devoid of prospects for Melbourne District: the eyes of the viewer can enjoy a picture of misery and despair. The main characters - the poor, frustrated and deprived of any deal - drown their worries in alcohol, and "entertaining" the time theft, rozbojami and attacks on the Vietnamese.
Hando belong to gangs of violent men, loose women, and even a kid. The society is aggressive, vulgar, malicious and niepogodzone with fate, and his racist ideology are treated in a very superficial (seeing it as an excuse for violence more than a specified philosophical system). In fact, only Hando - reader of Hitler's "Mein Kampf" - he believes in what he preaches. Neo-Nazis are living from day to day, do not have any plans for the future, tease each other and continually demonstrate their strength. Boast of having white skin, for no other reason to be proud.
The company gets a bad young Gabe - rich girl, but not at all happy. Young lady, constantly changing place of residence, and thus: school and peer environment. In addition, he suffers from epilepsy and is półsierotą - her mother died in a car accident, while her father molesting her. Lover girl is racist Hando, however, falls well liked another skinheadowi, Davey'emu.
Soon it becomes apparent that the heroine Hando combines sex, but with Davey'im - platonic feelings. Unfortunately, the misunderstandings between men and a series of sensational events at the end of the work will lead to tragedy. After a fierce battle with the Vietnamese, his father Gabe robbed, and police clash with Melbourne comes away with the grand finale of Australian neo-Nazis. But before that happens, many times Will Be Blood.
"Romper Stomper is a film of a pedagogical-sociological. It shows in fact a social problem that occurs in Australia, as well as in many other countries - poverty and despair, pushing young people to participate in violent subcultures and unlawful activity. Besides, draws attention to the drama (mental suffering) of people like Gabe: affluent, well-maintained, but lacking warmth of a family, and kazirodczo zakompleksionych molested by relatives.
Geoffrey Wright's film is like an appeal to the public, call to become interested in the emerging problem of slums pathology. "Romper Stomper" moves also the subject of racism, proves that hatred for the people of another color can lead to violence. And if the violence is also the revenge of the oppressed and intimidation of ethnic minorities. What's more, the tragedy is a warning for young people - warns against the aggressive participation in subcultures, shows the possible consequences of such a lifestyle, encouraged to seek help from professionals, not szemranym company. This is very beautiful, but naive. Why
naive? As a result, achieved by "Romper Stomper", is counterproductive. According to the Polish language Wikipedia, drama "Was intended to have anti-Nazi character, but eventually became a cult film in the environment of skinheads." That's true. I have the Internet skinheadowskich friends and I can assure you that they delight in "Romper Stomper". Wright watching a movie, do not feel shame and do not reflect on the change of views - on the contrary, even the "wind up". The popularity of the production of skins in the environment also provides the fact that her pieces are often used in amateur music videos dorabianych to racist songs.
O, director! Oh, unfortunate! You wanted to denounce the skinheads, and did them free publicity! Rather than weaken its enemy, it is substantially wzmocniłeś! After what was to spend so much money and put so much effort in creating a "Romper Stomper"? Indeed, more zaszkodziłbyś skinom, if you do not shot this drama! As you can see, even a good and ambitious film could be a disaster epic (epic fail) director.
If readers want to let him watch the work of Geoffrey Wright and see how much work went in vain. Let them watch the - the more that 'Romper ... " is very successful, has a fast-paced action and leads to serious reflection. Of course, this is hardly the overwhelming production of a masterpiece on his knees, but I must admit that it is deeper and more intelligent than most films of this type. That's probably because I was in Australia, which is far from Hollywood. And because - in accordance with the announcement in one of the forerunners - was supposed to be "the most provocative, dangerous, intensely confrontational films of the year" (implicitly: 1992).
Natalia Julia Smith,
29-30 May 2011,
PS I forgot to mention that in "Romper Stomper" Music plays a huge role. These are mostly songs from the mainstream of Oi! (Broadly defined subspecies of rock skinheadowskiego).
PS2. Trailers 's "Romper ..."
http://www.youtube.com/watch?v=_R24x8jfGps
http://www.youtube.com/watch?v=YXa-nAYdjrk
Subscribe to:
Posts (Atom)